Last summer while sailing off the tip of Vancouver Island I became fascinated with the gooey and bioluminescent creatures that migrate to the ocean's surface each evening. I captured many, placed them in an aquarium on board and shot video for the new 'CAPSULES' installation. One of the most fascinating groups are the Comb Jellies - and these are now instigating the re-drawing of the Tree of Life < Science News Link.
Nice timing.
Charles Lindsay is an intermedia artist whose work explores the frontiers of technology, storytelling, and the cosmos. A Guggenheim Fellow, New York Times bestselling author, and founder of the SETI Institute’s Artist in Residence program (SETI AIR), Lindsay creates immersive installations that fuse salvaged aerospace components, AI-generated visuals, and biomorphic soundscapes into powerful vehicles for reimagining narrative. His projects ask provocative questions—what if an AI could dream? What if a Mars rover became a Zen monk?
Lindsay has collaborated with NASA Ames, Bell Labs, and exhibited globally, including at the MIT Media Lab. At SETI, he explored conceptual links between whale communication, Morse code, and AI pattern recognition. A dream in Kyoto—of a parking meter selling time and space in a Zen garden—became a realized installation, blending ancient philosophy with digital inquiry.
As an early alpha tester for OpenAI’s Sora text-to-video platform and a lifelong lucid dreamer, Lindsay pushes the limits of how AI can amplify human consciousness. His installations function as sensory laboratories, inviting audiences to navigate the terrain between digital revelation, aesthetic curiosity, and the collective unconscious. With humor, paradox, and deep curiosity, Lindsay’s work imagines new frontiers for art, science, and the soul.
